Images
Above: Author's Supplemental Video, Tapestry of Tears. See the bottom of this page for six supplemental PDF files that document the author's blog posts.
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Alpha M. Woodward, PhD, is a 2015 graduate of the PhD Program in Leadership and Change at Antioch University.
Alpha M. Woodward, Ph.D. [center] at her Dissertation Defense with Committee Member, Laurien Alexandre, Ph.D. [left] and her Committee Chair, Carolyn Kenny, Ph.D. [right].
Dissertation Committee
- Carolyn Kenny, Ph.D., Chair
- Laurien Alexandre, Ph.D. Committee Member
- Lars Ole Bonde, Ph.D. Committee Member
- Susan Hadley, Ph.D., External Reader
Keywords
Bosnia, Herzegovinia, music therapy, leadership, humanitarian aid, war, atrocities, post-conflict societies, change, autoethnography, phenomenology, arts therapies
Document Type
Dissertation
Publication Date
2015
Abstract
In the fall of 2003 I was invited to lead a team of music therapists in Bosnia and Herzegovina (BiH), a country that had been recently savaged by two brutal inter-ethnic wars. The program operated out of the Pavarotti Music Centre on the East side of Mostar, a divided city in the southwest region of BiH. My journey over the next four years was epically challenged by my immersion into the complexities of post-conflict recovery, and the cultural confusion that followed the atrocities of those wars. Transformation and change not only characterized the world in which I worked, but also paralleled internal processes proceeding silently within me. As a music therapist I have always worked within a framework of cultural constancy. In post-conflict societies, we become involved in a colossal moving fray of change. This dissertation is an autoethnography that uses heartfelt, reflective writing with the purpose of gaining a deeper understanding of my identity as a leader, as a music therapist, and as a cultural being in these sometimes difficult, but life-enhancing, four years. Together with academic perspectives and performative writing techniques, it explores a trail of thematic material that emerged during a confusing, ambiguous repatriation period in the years following my time in Bosnia. The autoethnography, an evocative expression of phenomenological research, is a conversation with "self" and with distant others who inhabit a time frame in the past, and thus informs an emergent narrative that carves its own path throughout the eight chapters. Ultimately, the dissertation aims toward a deeper understanding of my own culpability as a leader of a small multi-ethnic team in Mostar, BiH, and the implications this may have for arts-based fieldwork practice in post conflict regions. This dissertation is accompanied by seven supplemental files: 1 Mp4 video and 6 blog post pdf files. The electronic version of this Dissertation is at Ohiolink ETD Center, http://etd.ohiolink.edu and AURA http://aura.antioch.edu/
Recommended Citation
Woodward, A. M. (2015). Tapestry of Tears: An Autoethnography of Leadership, Personal Transformation, and Music Therapy in Humanitarian Aid in Bosnia Herzegovina. https://aura.antioch.edu/etds/192
Author's Video Introductory Supplemental File
Post_1_Emerging_from_the_chrysalis_of_winter.pdf (691 kB)
Blog post 1: Emerging from the Chrysalis of Winter
Post_2_Alpha_by_the_river.pdf (414 kB)
Blog post 2: Alpha by the River
Post_3_Mystical_landscapes.pdf (196 kB)
Blog post 3: Mystical Landscapes
Post_4_Brevity_of-our_time_on_earth.pdf (1240 kB)
Blog post 4: The Brevity of our Time on Earth
Post_5_Dragon_sleeps_forever.pdf (647 kB)
Blog post 5: The Dragon Sleeps Forever
Post_6_Tapestry.pdf (725 kB)
Blog post 6: Tapestry
Comments
Alpha M. Woodward, Ph.D.
Dr. Alpha Woodward is a certified music therapist (MTA) in Canada and a Fellow of the Association of Music and Imagery. She has taught MA level music therapy in Montreal, and served as program director in Limerick, Ireland, Pennsylvania and Iowa. Prior to her teaching career she served as the professional practice leader at Providence Health Care in Vancouver, B.C. until she left Canada to work with children and youth in Bosnia and Herzegovina (BiH) in January, 2004. Her published works for music therapy in humanitarian services in post conflict regions, and her doctoral dissertation, are based in lived experiences as the Head of Music Therapy at the Pavarotti Music Centre in Mostar, BiH when the country was recovering from the vicious wars of 1990 - 1995. Her arts-based, autoethnographic research ‘Tapestry of Tears’, was a 'close encounter of the self' as she peered into her own transformational experiences working in a war-affected region. She is currently teaching music therapy courses at Capilano University in North Vancouver, B.C.
- See more at: http://orcid.org/0000-0003-3991-6270#sthash.J2tyFM3z.dpuf